Lives of the Artists by Giorgio Vasari
Author:Giorgio Vasari [Vasari, Giorgio]
Language: eng
Format: epub
Tags: Classics, Biography & Autobiography, Monographs, General, Techniques, History, Renaissance, Medieval, Art, Painting, Individual Artists
ISBN: 9780140445008
Google: 4OLwqoXOgPoC
Publisher: Penguin UK
Published: 2003-07-31T05:00:00+00:00
LIFE OF LEONARDO DA VINCI
Florentine painter and sculptor, 1452–1519
IN the normal course of events many men and women are born with various remarkable qualities and talents; but occasionally, in a way that transcends nature, a single person is marvellously endowed by heaven with beauty, grace, and talent in such abundance that he leaves other men far behind, all his actions seem inspired, and indeed everything he does clearly comes from God rather than from human art.
Everyone acknowledged that this was true of Leonardo da Vinci, an artist of outstanding physical beauty who displayed infinite grace in everything he did and who cultivated his genius so brilliantly that all problems he studied he solved with ease. He possessed great strength and dexterity; he was a man of regal spirit and tremendous breadth of mind; and his name became so famous that not only was he esteemed during his lifetime but his reputation endured and became even greater after his death.
This marvellous and divinely inspired Leonardo was the son of Piero da Vinci. He would have been very proficient at his early lessons if he had not been so volatile and unstable; for he was always setting himself to learn many things only to abandon them almost immediately. Thus he began to learn arithmetic, and after a few months he had made so much progress that he used to baffle his master with the questions and problems that he raised. For a little while he attended to music, and then he very soon resolved to learn to play the lyre, for he was naturally of an elevated and refined disposition; and with this instrument he accompanied his own charming improvised singing. All the same, for all his other enterprises Leonardo never ceased drawing and working in relief, pursuits which best suited his temperament.
Realizing this, and considering the quality of his son’s intelligence, Piero one day took some of Leonardo’s drawings along to Andrea del Verrocchio (who was a close friend of his) and earnestly begged him to say whether it would be profitable for the boy to study design.1 Andrea was amazed to see what extraordinary beginnings Leonardo had made and he urged Piero to make him study the subject. So Piero arranged for Leonardo to enter Andrea’s workshop. The boy was delighted with this decision, and he began to practise not only one branch of the arts but all the branches in which design plays a part. He was marvellously gifted, and he proved himself to be a first-class geometrician in his work as a sculptor and architect. In his youth Leonardo made in clay several heads of women, with smiling faces, of which plaster casts are still being made, as well as some children’s heads executed as if by a mature artist. He also did many architectural drawings both of ground plans and of other elevations, and, while still young, he was the first to propose reducing the Arno to a navigable canal between Pisa and Florence. He made designs
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